THEATER PREVIEW
Top ten picks for 2009–10
By Darwin McPherson

Blood Brothers at ICTC
(September 11–October 11)
Artwork by Michael Gelen.
This time last year, the fresh options made available by the absence of Studio Arena seemed to define the season. This year, I’m finding brilliant casting opportunities (for new faces and familiar favorites) to be the most illuminating factor in a diverse field of productions. Following are my top picks for the months ahead.

Blood Brothers, A Musical
Irish Classical Theatre Company,
September 11–October 11
This musical by Willy Russell (Educating Rita) promises to be a fine showcase for Loraine O’Donnell. Starring as the mother of twin sons who are separated at birth, she’s following the footsteps of Kiki Dee, Petula Clark, Carole King, and Helen Reddy, to name a few Sixties pop stars who’ve played Mrs. Johnstone. Quite appropriate for the star of last year’s Dusty Springfield … with You.

Do You See What I’m Saying
Ujima Company, Inc.,
September 18–October 11

I love it when history repeats. Lorna C. Hill directs a remount of Megan Terry’s drama about “seven women on a block,” as Hill describes the premise. “They’re homeless, but it’s not about homelessness.” Michele Ninacs, who appeared in the original Ujima production over fifteen years ago, returns, and other former stars are expected back as well.

Dr. Jekyll and Mr. Hyde
Kaleidoscope Theatre Productions
January 29–February 13

If Kaleidoscope can successfully emerge from last season’s brouhaha over Polish Joke, I’m looking forward to their interpretation of Jeffrey Hatcher’s take on Robert Louis Stevenson’s classic exploration of the nature of good and evil. There’s an obvious opportunity for intriguing casting choices since four different actors will portray various aspects of the villainous Hyde.

Falsettos
MusicalFare Theatre,
March 3–April 3

MusicalFare is pulling this one out of their vault in celebration of their twentieth anniversary. Since Falsettos is one of those theatrical classics I’ve heard of but haven’t actually seen, I’m looking forward to MusicalFare’s production. Featuring members of the original cast (including John Fredo, Pamela Rose Mangus, and the lovely Debbie Pappas), I’m sure it’ll be a remarkable mix combining MusicalFare’s stylistic and technical evolution with William Finn’s music and lyrics. (Finn did the same duty for The 25th Annual Putnam County Spelling Bee.)

A Few Good Men
Kavinoky Theatre,
September 11–October 11
The Kavinoky production of Aaron Sorkin’s The Farnsworth Invention was definitely one of the highlights of last season, so it’s easy to look forward to their presentation of his original military mystery/thriller that spawned the Tom Cruise/Jack Nicholson film. Kate LoConti has the Demi Moore part. Peter Palmisano directs.

The Goat; Or Who Is Sylvia
Road Less Traveled Productions
April 16–May 16

Derek Campbell directs Edward Albee’s provocative play about a man who falls in love with a goat. (Trust me, it’s deeper than this.) It stars John Fredo and Maggie Zindle, two of Western New York’s most terrific talents, in a challenging exploration of modern morality from the author of Who’s Afraid of Virginia Woolf?

Jersey Boys, at Shea’s from April 21–May 9.
From left: Josh Franklin, Joseph Leo Bwarie, Matt Bailey, and Steve Gouveia.
Jersey Boys photo by Joan Marcus.

Jersey Boys
Shea’s Performing Arts Center
April 21–May 9

The biggest production coming to Shea’s is their season ender featuring the music of 1960s rock ’n’ roll group the Four Seasons. It won the 2006 Tony Award for Best Musical and is still doing big business on Broadway. The history of Frankie Valli and his band is told in a comprehensive and thoroughly entertaining fashion packed with familiar hits like “Big Girls Don’t Cry,” “Walk Like a Man,” and “Can’t Take My Eyes Off of You.”

Man of La Mancha
MusicalFare Theatre
October 28–November 29

While the Kavinoky’s 1996-97 production will go down as one of my all-time favorites, this presentation, also directed by Randall Kramer, promises to be intriguing in its own right. Following the trend of utilizing actors who also play instruments (most notably in the 2006 Broadway revival of Sondheim’s Company), this production will also be designed specifically for MusicalFare. The ubiquitous Fredo is joined by Lisa Ludwig (Sweeney Todd) to lead this singular effort.

Secret Order
Kavinoky Theatre
March 5–April 3

Since the edgy competitive spirit of Farnsworth Invention was good for the Kavinoky, they’re doing it again with Bob Clyman’s sharp drama about a young researcher who may be on the verge of finding a cure for cancer. Peter Palmisano and Saul Elkin are featured.

This Is On Me: An Evening of Dorothy Parker
O’Connell & Company
May 21–23

This staged reading of Dorothy Parker’s writing was compiled by local-boy-done-good Tom Fontana. Previous productions in L.A. and New York were headed by Angela Lansbury, so this local outing offers a unique opportunity for a local actress. O’Connell & Co. artistic/executive director/producer Mary Kate O’Connell says Fontana “is going to design the script for our production. He has different treatments depending on the cast size.” He’s also consulting on the casting.

The show must go on
From September 9 through October 11, MusicalFare presents Ted Dykstra & Richard Greenblatt’s charming and peculiar 2 Pianos 4 Hands, whose 2001 Studio Arena’s production intrigued me. Basically, the show relates the fifteen-year evolution of how two men learn to play the piano and what happens afterward. As MusicalFare artistic/executive director Randall Kramer says, “It’s about dreams colliding with the everyday realities of life.”

He saw the Studio Arena production and loved it. It was originally slated for last season, but casting details derailed things, and Pianos was replaced with American Rhapsody. Nevertheless, Kramer was determined to go on with the show.

“First of all, it’s an excellent script. It’s funny and yet there’s a certain amount of pathos in it that everyone can relate to. Also, a show like this is a little different for MusicalFare. I like that. It’s not a musical and yet music is at [its] very core and is the very essence of the story,” Kramer says. “Maybe it will cause some people to redefine what exactly a ‘musical’ is.”The two main characters in 2 Pianos 4 Hands don’t sing their stories, but, along with representing other characters (parents, teachers, and the like), they do a lot of piano playing, which obviously requires a distinctive set of talents. In the Studio Arena show, one of the men was played by New York City actor and director Tom Frey, who is returning to Buffalo to direct the MusicalFare version.

The new production stars Kramer, who also performed in American Rhapsody, and Jeffrey Rockwell, who did 2P4H in Los Angeles earlier this year (also directed by Frey).

Other September highlights
Perennial Curtain Up! favorite Bartenders makes its last appearance at the Theatre of Youth’s Allendale Theatre, according to TOY Artistic Director Meg Quinn. Louis Mustillo’s one-man show filled with tales from behind the bar can be seen two nights only, September 11 and 12.

One of Shakespeare’s most famous plays influences two productions as Paul Robeson Theatre presents Revenge of a King (Sept. 11–Oct. 4), a hip-hop musical take set in urban America, while Kaleidoscope Theatre Productions does I Hate Hamlet (Sept. 11–26), Paul Rudnick’s comedy about a successful TV actor haunted by John Barrymore’s ghost.

INSIDE PICKS
Reps from eleven WNY theaters choose their favorites from the 2009–10 rosters:

Alleyway
Joyce Stilson, director of public relations
The Careful Glover (Sept. 10–Oct. 3) by Jim Baines is the production I am most excited about. The last days of William Shakespeare as played by Buffalo’s Saul Elkin.”

American Repertory Theater of Western New York
Matthew LaChiusa, executive/artistic director
Greater Tuna (Oct. 15–Nov. 2) is an engaging theatrical piece. It is a challenge for the actors, a whirlwind of characters for audiences to watch, and a rich portrayal of southern Americana.”

Buffalo State College Theater/Casting Hall Productions
Drew Kahn, chair and professor
Anything Goes (Nov. 12–21) is pure entertainment. The combination of Cole Porter’s style and the antics of a frivolous plot will take you back to a time when laughing, toe-tapping, and singing were the American agenda.”

Irish Classical
Vincent O’Neill, artistic director
Engaged (Apr. 23–May 23) by W. S. Gilbert (of Gilbert and Sullivan fame) is a rarely performed gem of a farcical comedy; [our production will be] a WNY premiere, a comic delight—charming, utterly endearing; a treat for audiences.”

Jewish Repertory
Saul Elkin, artistic director
“Martin Sherman’s Rose (Oct. 15–Nov. 1) encapsulates the whole range of the Jewish experience in the twentieth century in a life story that begins in a tiny village in Eastern Europe and moves through the devastation of World War II and the Holocaust, the founding of the state of Israel, immigration to the United States, and eventual old age and retirement in Miami.”

Kaleidoscope Theatre Productions
Beth A. Gerardi-Wharton, artistic director
“Upon reading Hatcher’s version of Dr. Jekyll and Mr. Hyde, we were exhilarated by its fiercely dark, yet sensual, theatrical composition, similar to [the same playwright’s] highly acclaimed Turn of the Screw in 1996.”

Kavinoky
Joe Demerly, managing director
“I’m most excited to see Steven Dietz’s Yankee Tavern (Jan. 8–Feb. 7); everyone will certainly relate to the closeness of the subject matter. My hope is that this play will resonate not as a commentary on 9/11, but as the compelling conspiracy thriller it is.”

MusicalFare
Randall Kramer, artistic/executive director
Falsettos was a seminal production that, for many of us, left memories that we cherish to this day. Much of the original cast is returning from our downtown 1995 production and I think the result will be a story that is the same, but told from a more mature perspective.”

New Phoenix Theatre
Robert Waterhouse, artistic director
“A delay in a NYSCA award caused a delay in scheduling Freud and the Sandman (Sept. 10–Oct. 3), but this has allowed us to gather a formidable cast and creative team. This sort of ensemble-driven alternative theater is what the New Phoenix does best.”

O’Connell & Company
Mary Kate O’Connell, artistic/executive director
4 Guys Named Jose and Una Mujer Named Maria (Oct. 1–25) is a completely entertaining show filled with amazing Latin music, a charming story, and memorable characters.”

Shea’s
Lisa Grisanti, director of marketing and public relations
Jersey Boys! Great story, great music, great nostalgia, great cast—I saw it twice. It’s my favorite musical; I brought my mother, knowing she would love it. It was wonderful to see her excitement and the look on her face as she reminisced during all the songs.”

UB Center for the Arts
Dave Wedekindt, director of marketing
To Kill A Mockingbird (Nov. 21). This classic story is currently celebrating its fiftieth anniversary, but the message is still applicable today. This presentation will mark the first time the Center is presenting a touring dramatic production, and the Montana Repertory Theatre is one of the most respected companies in the country.”


Darwin McPherson covers theater for Buffalo Spree.


SUBSCRIBE NOW

Back to the Table of Contents

Back to Top